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"IN A RAMPAGE" |
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| by |
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| Jeffrey
Walker |
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| WORDS TO PAPER
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| 18/08/04
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| FIRST DRAFT
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| 24/12/04
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FADE IN: |
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1 EXT. HORIZON - FIVE BOROUGHS - LENGTHENING SHADOWS
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|
Three seconds before entering into white cumulus clouds equal in size as the
dust storm from the collapsing twin towers @ ground zero & through them.
As the morning of 9/11 dawns over the wide expanse set before you heading in
a northern direction @ flying altitude on the horizon is seen in the not too
far distance the skyline of NEW YORK CITY. |
|
2 EXT. MANHATTAN SKYLINE - WORLD TRADE CENTER ROOF TOPS - DAY
|
|
A few miles away slowly drifting nearer like a pearl set @ your feet
the morning sun rises in the east on a bright & beautiful autumn day in
the big apple. The morning sun comes into view from the left side facing
south lighting up ground zero. Turning clockwise circumnavigating the
five boroughs about new york city, circle the wagons around the WORLD TRADE
CENTER. |
|
On the screen superimpose w/ white lettering: |
| Three choruses of 'London Bridges Falling Down' by the Children's Choir of ? backed by the orchestra of ? version. |
CREDITS BEGIN. |
DISSOLVE TO: |
3 EXT. BOSTON MASS LANDMARKS - |
|
Add a scene here of Boston landmarks, the river Charles, Bobby Orr,
something of Babe Ruth, an evening shot of something, last one of
Logan Int'l. |
|
4 EXT. BOSTON STREET CORNER - HOTEL ENTRANCE - LENGTHENING SHADOWS
|
|
Zoom in watching down the block & across the street as four men walk
down six stairs of the HOTEL they were staying at. These four members
of the Taliban, Khalid, Abdulrahman, Yassin & Saleh stop on the sidewalk,
look about furtively. Dolly along across the street from them as they
walk the rest of the block to the corner. |
|
5 EXT. - AM |
|
Khalid, Abdulrahman, Yassin, Saleh these four Taliban all extremists
hijackers spread out & enter the cabs.
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|
6 EXT. STREET INTERSECTION - AIRPORT CABSTAND - AM
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|
Cabs to the airport, get in and ask for Logan Int'l.
Mohamed will meet us there. |
|
7 INT. PASSENGER - TAXICAB - AM |
|
When they are seated a fast moving city vehicle screams past the
open windows its lights are flashing, the siren is wailing
followed by second vehicle doing the same. |
|
Airport just look busy, no monkey business.
|
|
As a third one flashes past the CadiLLacTM Taxicab.
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8 EXT. CITY BLOCK - INTERSECTION - AM |
|
The two CadiLLacTM Cabs slowly turn the corner w/ animals gone bad
for passengers & drive away. |
|
9 EXT. LOGAN INT'L AIRPORT - PASSENGER PICK UP - LENGTHENING
SHADOWS |
|
Three certain CadiLLacTM cabs arrive in traffic pull up in front of
Logan Int'l Airport located in Boston Mass among all the cars & empty
their contents. Six hijackers armed & dangerous extremists mingle
among the people in position. Some of whom might be in serious danger.
|
|
10 EXT/INT. AIRPORT ENTRANCE - SLIDING DOORS - LENGTHENING
SHADOWS |
|
They enter through the front doors into the airport & walk to
the waiting area. |
|
11 INT. LOGAN INT'L - TERMINAL C LOUNGE - AM
|
|
They wait for their flight doomed Intercontinental Airlines # 219.
One goes for coffee, another hijacker goes to the Mens room &
relieves himself standing up. He walks over to the sink to wash his
hands & looks @ himself in the mirror. In the mirror are flashing
cameo transparencies of Osama Bin Laden, Saddam Hussein, George Bush
& the face of the hijacker, another stands outside smoking a
cigarette.
|
|
Now boarding Intercontinental Flight #219 for Los Angeles @
gate 19. |
|
12 INT. AIRPORT LOUNGE - CLOSE UP - DAY |
| That's us like
its ever gonna get there, lets go. |
|
13 INT. CUSTOMS COUNTER - RUNWAY - LENGTHENING SHADOWS
|
| They clear customs
in a routine screening. |
| Screenplay by
Jeffrey Walker |
| Directed by A.
Mystery |
| CREDITS
FINISH |
|
14 EXT. TAXIING AIRPLANE - RUNWAY - AM |
| @ 8:14am
doomed Intercontinental Airlines flight 219 running
late departs down the runway & lifts off never to return,
much like Jesus nailed on a cross. |
|
15 INT. BOEING 767 AIRCRAFT - AISLE - MORNING |
| Saleh one of
the six hijackers has slipped by security w/ a very sharp box
cutter & w/ it slices the stewardess, they smuggled mace
aboard & w/ the threat of a bomb, cuts the pilots &
COMMANDEER the pirated aircraft. |
|
16 INT. INTERCONTINENTAL FLIGHT 219 - COCKPIT - AM
|
| The hijacker
pilot Khalid @ the stick compromises the scheduled flight plan
& steers it willfully southward into a windy deviate
direction. |
|
17 INT. INTERCONTINENTAL FLIGHT 219 - COCKPIT - AM
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| The Taliban
extremists of Islam aim the plane on a heading for New York City.
|
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18 INT. INTERCONTINENTAL FLIGHT 219 - COCKPIT WINDSHIELD - DAY
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| The plane pilot
Khalid sees the smoke of the towering inferno like a beacon &
lines it up coming in faster than Superman @ 470 mph.
|
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19 INT. INTERCONTINENTAL FLIGHT 219 - COCKPIT - AM
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| Watching through
the aircraft windshield flying way too low flight #219 crosses the
point of no return, flying way too low. |
| Cook the damn
shit windows on the ground, spread it on dog food.
|
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20 INT. INTERCONTINENTAL FLIGHT 219 - COCKPIT - AM
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| The nosecone of the
pirated Boeing 767 AIRCRAFT hits the mark plunging into the western
side of World Trade Center tower two. |
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21 <9:03> EXT. NEW YORK CITY SKYLINE - GROUND ZERO - AM
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| Hijacked
Intercontinental Flight #219 crashes the west side of tower two
between the seventy six & eightieth floors w/ live footage,
instantly killing everyone on the 767 aircraft & many inside
the office tower. |
|
22 EXT. TWO WORLD TRADE CENTER - GROUND ZERO - MORNING
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| The building shaking
like a tree in a hurricane, is inflamed w/ smoke pouring out the top
in billowing clouds. |
| Watching until five
to seven minutes by now on the screen superimpose: |
DISSOLVE TO: |
On
the screen superimpose: |
|
23 EXT. NEW YORK CITY SKYLINE - TUESDAY OCTOBER 1ST - AM
|
| Pull back in or zoom
out on a panorama view of the New York city skyline now without the
world trade center. |
| 'Are You Washed In
The Blood of the Lamb' by Elvis Presley on the soundtrack until she
leaves home. |
|
24 EXT. NEW YORK CITY LANDMARKS - DAY |
| Two to three
stills of the Empire State Building, a night scene, Yankee Stadium,
a welcome to the borough of QUEENS.
|
|
25 EXT/INT. WILLOWBROOK AVE - BARBIE BROWNE APT - AM
|
| Looking through
a bedroom window, draw into it. Waking up alone in bed is
the kind of girl who would leave her room buzzer on all day long @
cheque day & it doesn't ring. A real homebody w/ a
professional career @ rogers cable. Casting call to play a
twenty three year old single female in her under things she skips
to the loo, comes out of the washroom dressed in A white bathrobe.
She makes coffee & lights a cigarette. She walks over to the
desk & sits down @ her computer drinking coffee & smoking
a LBP cigarette to check her emails. They haven't been checked
since three days past. One intriguing Subject Line catches her
attention, Appointment Booked for Cheque Signing, Acme Assurance
Co, Newark N.J., one is from Britney Spears fan club, a few others
wait to be opened & spam. She opens it & reads it. |
|
Dear Ms Barbie S Browne, I have booked an appointment for you regarding your loss of income due to fire Policy you have w/ us. Please visit me in my Office on Tuesday October 1st 2001 @ 9:00am, to sign the papers for a kings ransom. Case worker Ms Julie Jones, 5th floor Acme Assurance Company Newark, NJ. |
|
She looks @ the clock on her desk & looks back.
|
|
Sitting @ the desk in her one bathrobe she flashes back in her
mind three & a half months ago when she cashed her most recent
paycheck from Rogers Cable. |
DISSOLVE TO: |
|
26 INT. OFFICE DEN - COMPUTER - LENGTHENING SHADOWS
|
|
Sitting @ her computer she checks her email inbox for the Email
Money Transfer from Western Union w/ the Subject Line Email
Money Transfer From Western Union, containing her pay check for
the period ending August 31, 2001, she routinely clicks it.
Signs in w/ her same-every-time-for-this-account e-signature,
granting her access to & control of it. She clicks her bank
of choice Logo in the EMT & logs in to transfer the money into
her savings bank account. Its insured Deposits are w/ an Integrity
Firewall, Legal Tender. Now she hops over some of the funds into
chequing account into a chip embedded licensee of the Interac
trademark Money MartTM Ecash card, as much as she needs for now.
|
DISSOLVE TO: |
| 27 INT. WILLOWBROOK AVE - BARBIE BROWNE APT - MORNING |
|
Barbie gets dressed up wearing a highwayman's collar, shades,
heels & a purse, leaves home to sign the papers.
|
|
28 EXT. WILLOWBROOK AVE - SIDEWALK - LENGTHENING SHADOWS
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| Standing on the
sidewalk she flags down a taxicab. |
|
29 EXT. APPROACHING TAXICAB - AM |
| CadiLLacTM Taxi
#999 it pulls up on the street in front of her, she reaches for
the passenger door handle. |
|
30 EXT/INT. OPEN CAB DOOR - MORNING |
| Barbie gets in the
cab & sits down. |
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31 EXT. DEPARTING TAXICAB - MORNING |
| The cab drives along
the street & is absorbed in traffic. |
|
32 EXT. AFGHANISTAN COUNTRYSIDE - DUSTY ROAD - LENGTHENING
SHADOWS |
| In a Hummer bobbing
along a dusty back road are three members Islam, armed w/ AK47s.
The land on both sides looks dry airless w/ bare shrubs popping up here
& there. Driving to a house not far w/ the last payment for
the family of Ahmed the pilot in cash. |
|
33 INT. HUMMER - DUSK |
| Abdul Allah
is great, here is the money for Ahmed pains for his family.
|
|
34 INT. HUMMER - DUSK |
| The backseat passenger
looks over the open briefcase on the seat beside him w/ $100,000 US in
cash for Ahmed's death. |
|
35 EXT. ACME EMPLOYMENT ASSURANCE OFFICE BUILDING - DAY
|
|
36 INT. DISTRICT MANAGER'S OFFICE - DAY |
| A woman smoking @ her
desk, African American wearing a Philadelphia 76s jersey #3, over a
short sleeved black top black slacks & a bandanna.
|
|
37 EXT. STREET - CADILLAC CAB - DAY |
| The CadiLLac TM Cab
approaches on the street in front of the ACME EMPLOYMENT ASSURANCE
Co Building w/ a female passenger. |
|
38 EXT. CURBSIDE - STREET - DAY |
| She pays the meter
inserting a licensed InteracTM Money MartTM ecash card into the Cab
reader. |
|
39 INT. - DAY |
| Are you feeling
short changed lately? Monkey business got you down?
W/ a Money MartTM ecash card you could be set up &
on your way home today. |
|
40 INT/EXT. -DAY |
| She she bags the
receipt in her purse & exits the cab. |
|
41 EXT. DUSTY ROAD - ISOLATED SPOT - DUSK |
| The black Hummer
approaches near to a lone house w/ trees growing around it, people
are standing on the porch waiting. |
|
42 EXT. OFFICE BUILDING ENTRANCE - ASHCAN - DAY |
| Barbie Browne pauses
for a cigarette break. Lights up & takes three puffs.
|
|
43 EXT. PLAZA LEVEL - ASHCAN - LENGTHENING SHADOWS
|
| A homeless person
on a butt run pilfers the ashcan, she butts out the cigarette. He
scoops it, w/ a few smaller ones. |
| He accepts it &
shuffles off. |
|
44 EXT/INT. ACME EMPLOYMENT ASSURANCE OFFICE BUILDING ENTRANCE - DAY
|
| She enters the building,
rides the elevator up to the floor of the employment assurance company
office. |
|
45 EXT. ISOLATED SPOT - FARM HOUSE - DUSK |
| Abdul turns the
vehicle in beside the house of Ahmed's widow. |
|
46 INT. EMPLOYMENT INSURANCE WAITING ROOM - FRONT DESK - DAY
|
| She enters looks
around, tears off from the Dispenser tag #36 & takes a seat.
Immediately #34 is called, #35 is called, #36 is called for. She
presents herself @ the front counter. |
|
47 INT. HUMMER - DUSK |
| He picks up his weapon
opens the door, gets out. They do the same, one picks up
the case & his weapon. |
|
48 INT. FRONT COUNTER - DAY |
| I'm here
to sign the papers for a cheque please. |
| Linda reaches for
the ID, looks up in her files for the papers to sign. She
can't find it it's not here, there is no cheque, its not issued yet.
Not wanting a scene the employee forwards the policy
holders file to a manager. |
| I'm sorry
there is no cheque here for you, please phone your worker.
Number 137. |
| In plain view,
standing alone large crocodile TEARS start rolling down her soft
cheeks. Alarmed @ this Linda gets on the phone to a
manager. |
|
49 EXT. COUNTRYSIDE - FARMHOUSE - DUSK |
| Allah is great Ahmed
would be pleased. Welcome my friends, welcome to my home.
|
|
50 EXT/INT. PORCH - FARMHOUSE - NIGHT |
| The three men salute
those waiting for them & enter into this place delivering this
money to the woman of the house. |
|
51 INT. |
| Barbie walks over to
the height challenged walkie talkie person & he looks up @ the
large crocodile tears falling from her two soft cheeks. |
| Excuse me
sir where is my cheque, god damn it. |
| Linda waits for
the manager to appear, she comes out of her office, listening to
a client. Barbie grabs the guy by his left arm, he
shifts uneasily on duty. The Manager stands by Linda.
|
| I want to see
the manager now! I'm not leaving until I do. |
| Mrs Carter showing
her intention to take over from here. She nods to the
receptionist & indicates to Barbie Browne the door w/ her eyes,
points her pen @ it. |
| Watch me do
I look happy, walk w/ me to my office. |
| She walks through
a door & w/ the manager down the hall & into her office.
|
|
52 INT. FARMHOUSE - KITCHEN - NIGHT |
| They walk to
the kitchen & open the case on the table to a room full of
people. |
| Our brother
Ahmed is in Paradise now, Allah's peace be upon him, we
grieve for your loss. |
|
53 EXT/INT. |
| The payoff is
accepted & the blood money is whisked away to be shared among
family, friends, neighbours & associates where ever.
|
|
54 INT. RECEPTION - MORNING |
| Linda walks over
to security & fires him on the spot for that. |
|
55 INT. MANAGER'S OFFICE - DESK - LENGTHENING SHADOWS
|
| Sirens scream past
the office windows, car horns go off, she stands by the chair w/ her
pen tip, she offers the chair & sits down w/ the sound of truck
brakes squealing tires, yelling voices heard. |
| I'm district
manager Mrs Carter, please have a seat what's wrong?
|
|
56 INT. DISTRICT MANAGER'S OFFICE - LENGTHENING SHADOWS
|
| Prepared for anything
she strides across across the floor, sits down. The
receptionist steps in fetching the policy holders FILE for the Manager.
|
|
57 INT. DISTRICT MANAGER'S OFFICE - DESK - LENGTHENING SHADOWS
|
| Barbie wipes her
eyes blows her nose composes herself, half standing she extents
her hand. |
| I'm Ms Barbie S
Browne I expected to sign the papers for a cheque today, Manager.
|
|
58 INT. OFFICE SOFA CHAIR - POLICY HOLDER - LENGTHENING SHADOWS
|
| Barbie Browne
scans her case file number 25666 spread open on the managers
desk w/ skepticism regarding the whereabouts of the cheque.
|
|
59 INT. DISTRICT MANAGERS OFFICE - DESK - LENGTHENING SHADOWS
|
| The employment
insurance district manager seated across the desk from her smoking
a cigarette reads from the holder's file. |
| For an employment
insurance policy over the last three years & a half against
the loss of income due to sickness, injury, earthquake or fire
you have been making your monthly policy ecash payments by
telephone banking a few payments by Internet banking.
|
| Telus monkey
business who done it there goes my office space.
|
|
60 INT. |
| The manager spreads
out pictures of that day & looks @ them. |
| These are standard
on your employment insurance policy. It says
here you were born in Jerusalem - I was here @ my desk that day -
how long have you Ms Browne worked in New York City?
|
| I moved here w/
a green card three & a half years ago that's correct employed
@ Rogers cable. It has come about @ ground zero as a born -
again native Israeli in Jerusalem will be made a heavy stone for
all the peoples, all who lift it will throw their backs out.
|
| Tell me more
about your place of employment Ms Barbie S. Browne, what happened
there? |
| Manager martyrs
of Islam extremists hijacked a 767 jet 'n deliberately plunging
it into our building the fuck, knocking it down on it's ass my
office space is gone on the ninety ninth floor, North Tower.
|
| Your office on
ninety nine a few floors above impact had a northern view - it
took out your office space 'n there was war in Heaven
girl. The reign of terror reloading on planet earth,
what would you today do w/ ground zero? |
| Gone to the dogs,
dis the dead 'n soon hereafter rebuild? What happened
in the movie Poltergeist they did that? |
| What happened,
what were you doing that day, nine eleven? |
| I slept in a
little bit 'n running late @ the Office. |
END ACT 1 DISSOLVE TO: |
|
61 EXT. NEW YORK CITY - TUESDAY SEPTEMBER 11 - DAY
|
| A CadiLLacTM
Taxicab approaching in traffic. |
| 'Honey I'm Home'
by Shania Twain off the 'Come On Over' CD, plays until she gets
in the CadiLLacTM Cab. |
|
62 EXT. WORLD TRADE CENTER - SOUTH TOWER - DAY |
| Mr Stanley Jones
ARRIVES for work on the 84th floor. Sitting in his
office drinking coffee around 7:15am. He goes about his
morning routine. |
|
63 EXT. QUEENS NY - BARBIE BROWNE APT - AM |
| In harm's way
Barbie Browne alone in bed OVERSLEPT. She opens her green
eyes, looks @ her alarm clock & looks outside @ the blue skies
overhead. |
| Bright eyed &
bushy tailed in her dark colored under things she throws the covers
off. Skips to the Loo & quickly dresses wearing a
natural suede mini-skirt, tight sweater black pumps. On her
way out in the hallway she picks up her briefcase w/ the embossed
WTC logo. |
|
64 EXT. STREET - CURBSIDE - DAY |
| She flags down a
CadiLLacTM Taxi, it pulls up, she gets in the passengers side.
|
|
65 EXT. NEW YORK CITY SKYLINE - DAY |
|
66 INT. WTC - SOUTH TOWER - DAY |
| Mr Stanley Jones
sitting @ his desk @ his computer, on the telephone, drinking
coffee. |
|
67 EXT. STREET - CADILLAC CAB - DAY |
| The CadiLLacTM
Cab approaches on West St, stops in front of One World Trade
Center. |
|
68 EXT. CURBSIDE - STREET - DAY |
| She pays the meter
tapping her TelusTM tag processing complete, she bags the receipt in
her purse. |
| Are you feeling
short changed? W/ Telus monkey business circulate ecash, don't
give yourself away. |
| She exits the cab
& ? |
| The opening nine
seconds from 'Whatever You Do! Don't!' off the Shania Twain CD
Come On Over. |
|
69 EXT. |
| Write a scene
here w/ hijackers leaving a Hotel, taking cabs for Logan Int'l
Airport.
|
|
70 EXT. LOGAN INT'L AIRPORT - CABSTAND - AM |
| A few CadiLLacTM
Cab drivers empty their contents in front of the Boston Airport.
|
|
71 EXT/INT. LOGAN INT'L AIRPORT - LENGTHENING SHADOWS
|
| Five martyrs of
Islam all HIJACKERS animals gone bad check in & clear customs.
|
|
72 <7:45am> INT. BOARDING AIRCRAFT - AM |
| These five men
board Commonwealth Airlines flight one two three armed w/ a box
cutter bound for Los Angeles. |
|
74 EXT. WEST ST - CadiLLacTM CAB - DAY |
|
73 <7:59am> EXT. AIRPORT - RUNWAY - HIGH NOON |
| The gun has been
aimed & fired, Commonwealth Airlines flight one two three
DEPARTS on schedule to take out her office space.
|
| Panning in the
background an lbp spot on the side of a public bus & on a
billboard. |
|
75 EXT. NORTH TOWER - ELEVATORS - DAY |
|
76 INT. 107TH FLOOR - WINDOWS ON THE WORLD - DAY |
| She exits
elevators joins the cafeteria line to grab a bite to go.
|
|
77 INT. CAFETERIA - LINE UP - DAY |
| A buttered
bacon lettuce tomato sandwich toasted w/ Philadelphia TM cream
cheese & a licensed brand alcohol free soda please, to go.
|
|
78 INT. |
|
79 INT. |
| She nods her head,
standing @ her left side shoulder height. Pan from her
to the restaurant wall in front of her w/ a WINDOWS ON THE WORLD
Restaurant picture & menu mounted there. |
|
80 INT. RESTAURANT CASHIER - DAY |
| Pan across them
to her wrist @ the cash register while she pays the CASHIER $13.66
for the purchases w/ her TelusTM tag. |
|
81 INT. CLOSEUP - TELUS TERMINAL - DAY |
|
82 INT. TELUS TM RESTAURANT RECEIPT - DAY |
| The receipt is
handed to her she accepts it, she reads it. |
|
83 INT. RESTAURANT - LINEUP - DAY |
| Are you feeling
short changed? W/ Telus monkey business circulate ecash,
don't give yourself away. |
|
84 INT. CAFETERIA - LINE UP - DAY |
| Barbie Browne
bags the receipt collects her sandwich. |
|
85 INT. |
| A disgruntled
employee shakes down the cashier w/ a dirty look.
|
|
86 INT. COMMONWEALTH AIRLINES FLIGHT 123 - AISLE - AM
|
| Captain Ahmed
& co pilot hijackers Mohamed & Abdul set themselves to
wrest control of the Boeing 767 aircraft from the Commonwealth
Airlines crew. |
|
87 INT. 107TH FLOOR - ELEVATORS - DAY |
| Doors open crowd
enters. Doors close buttons are pushed. She pushes
99 lighting it up, blowing a third opportunity to make good her
escape. Her toe is heavily stepped on. |
| The elevator descends
non-stop to the 99th floor, doors open. |
|
87a INT. |
|
Write a District Manager scene on the phone or talking w/ a fellow
employee in her office wearing N.J. Nets #15 jersey in a cameo that
day. |
|
88 INT. 99TH FLOOR - HALLWAY - DAY |
| Carrying a brown bag
she moves along the north-south hallway limping slightly.
|
|
89 INT. HALLWAY - OPPOSITE SIDE - DAY |
| Approaching She turns
into her office. |
|
90 INT. OFFICE - NORTHERN VIEW - DAY |
| She walks through
an open mahogany door w/ Ms Barbie S. Browne engraved on a
bronze plaque. Sitting down on her chair she places her
purse & soda in front of her, opens the brown bag, rampages.
|
| He's setting
them up to rule over them, take them out god damn it.
|
|
91 INT. SOUTH TOWER - OFFICE - DAY |
|
Mr Stanley Jones sitting @ his desk @ the computer, on the
telephone, drinking coffee. |
|
92 EXT. PATH TRAIN - NORTH TOWER - DAY |
|
Mr Yinaka arrives for work, takes the elevator up to the 40th floor.
|
|
93 EXT/INT. OFFICE WINDOW - DESKTOP - DAY
|
|
Looking through a 99th floor window draw in. Panning the desk
over her shoulder. On it is a computer w/ hotmail.com on the
screen, telephone, Tuesday 11 September 2001 on the calendar &
8:20am on the clock. |
|
94 INT. 99TH FLOOR - OFFICE LENGTHENING SHADOWS
|
|
Sitting @ her desk she is suddenly seized by a PANIC ATTACK.
Perplexed, I asked myself what would I do? She notices the
Telus/Dexit/Money Mart/Western Union receipt & looks through her
purse on the desk. Sees a little read Gideons new testament, her LBP
cigarettes & mascara without any choice she willingly
decides to go outside on a smoke break. |
|
95 EXT. OFFICE - NORTHERN VIEW - DAY |
|
She gets up from the desk leaving her office. |
|
96 INT. HALLWAY - REVERSE ANGLE |
|
She leaves the office & enters the hallway heading for the
elevators. |
|
97 INT. ELEVATORS - DAY |
|
She walks to the elevators, pushes button & waits. The car
comes she enters aboard & descends. |
|
98 INT. SOUTH TOWER - OFFICE - DAY |
|
Mr Stanley Jones sitting @ his desk @ the computer, on the
telephone, drinking coffee. |
|
99 INT. NORTH TOWER - OFFICE FLOOR - DAY |
|
Mr Yinaka is sitting @ his desk in front of the computer reading
& writing emails among a dozen co workers. |
|
100 EXT. ELEVATORS - PLAZA LEVEL - DAY |
|
Stepping out of the elevators she leaves the building for the last
time. |
|
101 EXT. PLAZA LEVEL PLAYING FIELD - GROUND ZERO -
LENGTHENING SHADOWS |
|
A line of CadiLLacTM Cabs @ the curb, people milling about, she
lights up & takes three puffs. A homeless
person walks up to the ashcan. |
| (offers a licensed brand product) |
| Jonesing for a cigarette, buddy? |
|
He accepts it & shuffles off. |
|
102 EXT. SIDEWALK - BACKGROUND ACTION - DAY
|
|
The pedestrians walking past w/ the sound of a toonie rolling on
the sidewalk heard, dropped from a pocket. |
|
103 EXT. BACKGROUND ACTION - BLUE SUIT - DAY
|
|
In the background action is a walking blue suit accosted by a crack
smoking prostitute, panning for spare change. |
|
Gimme ten bucks for crack, I need it. Gimme it now, c'mon.
|
| Do you think I'm gonna carry you like a bitch on my back? Well, for five bucks. |
|
They fumble together, he hands over ten dollars. She walks
on that way, he keeps going. |
|
104 EXT. PLAZA LEVEL - LENGTHENING SHADOWS
|
|
Bright eyed & bushy tailed she looks around, sees advertising
on a passing bus, advertising on a billboard. Playing hooky she
feels like shopping. |
|
'There Power in the Blood' by Elvis Presley off the ? CD plays
until. |
|
105 EXT. PLAZA LEVEL - CABSTAND - LENGTHENING SHADOWS
|
|
She walks away to the line of taxi's, signals the Iraqi driver of
the next cab in line & drops the cigarette to the ground.
|
|
106 INT. TAXICAB - OPEN DOOR - DAY |
|
She seats herself in the taxicab, shuts the door, & it drives
off into traffic. Using her mobile browser Barbie loads
up her debit card w/ shopping money, & her Telus tag?
|
|
107 <8:14am>INT. 767 AIRCRAFT - AISLE - AM |
|
The hijackers w/ a box cutter bludgeon a stewardess to death to
gain access to the cockpit. The three armed hijackers
hustle the pilots out of their seats of authority & take over
the responsibility assuming their positions not so skilfully
piloting the aircraft. |
|
108 <8:19am> INT. 767 AIRCRAFT - GALLEY - LENGTHENING SHADOWS
|
|
Alarmed @ being unable to connect w/ the cockpit the stewardess
withdraws herself to the galley to the AT&T air phone to report
an emergency to Commonwealth airlines east coast reservations office.
|
| The cockpit is not answering somebody's stabbed in business class, I think there's mace we can't breathe, I don't know I think we're being hijacked. |
|
109 INT. COMMONWEALTH AIRLINES RESERVATIONS DESK - DAY
|
|
Oh my god I'm sorry flight one two three to hear that, I
will pass it along. |
|
She ALERTS the manager @ Commonwealth Airlines operations center
deep in the heart of Texas of the unfolding drama.
|
|
110 INT. COMMONWEALTH AIRLINES RESERVATIONS CENTER - OFFICE - DAY
|
|
They've got a situation developing w/ a flight out of Boston.
The on board stewardess thinks this might be a hijacking,
please advise. |
|
111 INT. COMMONWEALTH AIRLINES OPERATIONS DESK - DAY |
|
Acknowledge that reservations take cover, we're on it.
|
|
112 INT. OPERATIONS CENTER - DAY |
|
Now that the authorities have been notified, the Commonwealth
Airlines operations center MANAGER gets on the phone to the
flight dispatcher. |
|
Charlie this is operations center, patch me through to our
flight one two three will ya, outta Logan. We
might have a problem there. |
|
113 <8:23am> INT. COMMONWEALTH AIRLINES DISPATCHER'S DESK - DAY
|
|
Flight one two three come in, come in flight one two three,
Are you there John? Come in over. |
|
114 INT. 767 AIRCRAFT - COCKPIT - LENGTHENING SHADOWS |
|
The phone in the cockpit rings & rings. The dispatcher
tries several times to contact the cockpit, without response.
|
|
115 INT. COMMONWEALTH AIRLINES DISPATCHER'S DESK - DAY
|
|
Hailing frequencies open Sir - no answer, will keep trying
over. |
|
116 <8:21am> INT. 767 AIRCRAFT - COCKPIT - LENGTHENING SHADOWS
|
|
The hijacker's in the cockpit turn off the aircraft's transponder
& are now invisible on radar. |
|
117 INT. AIR TRAFFIC CONTROLLER - LOGAN INT'L - DAY
|
|
Leaning in over the scope in front of him the controller regards
one less blimp on the screen w/ reservation. |
|
Boss ah, I've got something here. Commonwealth flight one
two three operating in stealth mode...the transponder's out.
|
|
118 INT. OPERATIONS CENTER - DAY |
|
The Commonwealth manager alerts the FAAs air traffic controller
in Boston of the potential situation aboard flight one two three.
add dialogue. |
|
119 <8:25am> INT. 767 AIRCRAFT - COCKPIT - DAY |
|
This is a hijacking shut the fuck up, everything is under
control nobody moves. |
|
120 INT. 767 AIRCRAFT - AISLE - DAY |
|
Three more hijackers herd the first class passengers away from
the closed cockpit door to the rear of the business class section.
|
|
121 <8:29am> INT. COMMONWEALTH AIRLINES OPERATIONS SPECIALIST
- OFFICE - DAY |
|
A company air traffic control specialist problem solver contacts
the FAA Manager standing nearby the air traffic controller @
Logan Int'l to confirm events. |
|
We're getting no answer from the pilots of flight one two
three Logan & growing concerned. |
|
122 INT. FAA MANAGER - LOGAN INT'L - DAY |
|
This is the Manager here roger that Texas, we're aware.
Will notify the air force for help. |
|
123 INT. FAA - BOSTON CENTER - DAY |
|
The FAA contacts the U.S. air force 153 miles away seeking the
militarys assistance. |
|
124 EXT. MANAGER MRS CARTER'S FRONT DOOR - BRONX - DAY
|
|
Mrs Carter kisses goodbye to her teenage sons. |
|
125 EXT. MRS CARTER'S DRIVEWAY - BRONX - LENGTHENING SHADOWS
|
|
She drives down the street from home. |
|
126 INT. ROAD - TAXICAB #1260 - AM |
|
Using her mobile browser Barbie loads up her debit card & her
Telus tag w/ shopping money. |
|
127 |
| Add scenes here what Stanley, Yinaka & George are doing about now. |
|
128 INT. 767 AIRCRAFT - COCKPIT - LENGTHENING SHADOWS
|
|
Ahmed we have flight path lined up & locked on, look.
|
|
This is air force flight one three three five mission in
position central, target in sight. |
|
He looks straight up @ the new york skyline dead ahead.
|
|
Target in sight roger that flight one three three five, rock
'n roll Ahmed, Allah is great over & out. |
|
129 INT. |
|
Add scene here w/ Yinaka on 40th floor what he's doing now.
|
|
130 EXT. ASPHALT - DOG END - AM |
|
Out of harms way her cigarette is now burnt up to the lettering.
|
|
131 <8:42-8:46> INT. 767 AIRCRAFT - COCKPIT - LENGTHENING SHADOWS
|
|
Write 2nd plane hijacking scene here, slicing a stewardess,
cutting the pilots throats etc. |
|
132 <8:46am> EXT. - DAY |
|
The air force scrambles two F-16s in the summer sky to battle
stations, not knowing which way to turn they fly out over the
ocean & hover there, held over in a holding pattern until
9:13am over the ocean. |
|
133 INT. OFFICE DESKTOP - TELEPHONE - LENGTHENING SHADOWS
|
|
Debbie not knowing her numbers up today yelling @ her boyfriend
over the phone on the couch, venting her pent up frustration she
raises her voice @ a haven't-worked-in-two-years boyfriend in
need on the couch.
|
|
Why you bum! You're on the couch in my bathrobe in need of a shave
in front of the TV, did you take all the matches.
|
|
134 <8:46am>INT. 767 AIRCRAFT - COCKPIT - DAY |
|
'Sweet hitchhiker' by CCR on the soundtrack. |
|
135 INT. 767 AIRCRAFT - COCKPIT - AM |
|
The nosecone of Commonwealth Airlines flight one two three
plunges into the north side of the North Tower setting the building
aflame in real time. |
|
136 INT. OFFICE DESKTOP - TELEPHONE - LENGTHENING SHADOWS
|
|
Looking straight ahead & mad as hell she slams the phone down
so hard on her desk it breaks in a closeup into a thousand pieces.
She was saying goodbye. |
|
137 INT. SOUTH TOWER - EIGHTY FOURTH FLOOR OFFICE - GROUND ZERO
|
|
Stanley is sitting @ his desk as a Boeing 767 aircraft smacks
into the 93rd floor across the way of Tower One. The light
fixtures buzz overhead. He turns to look out the windows
filled w/ flames from the 10,000 gallons of Jet fuel igniting as
it spills over. |
|
138 INT. SOUTH TOWER - EIGHTY FOURTH FLOOR OFFICE - DAY
|
|
Now he again looks out the window @ the thousands of desk papers
fluttering in air w/ the edges of them on fire like flaming
confetti. Very strange. |
|
139 EXT. NORTH TOWER - FORTIETH FLOOR - DAY |
|
As Commonwealth Airlines flight one two three smacks into the
North Tower fifty floors up the building slowly swings back &
forth in a self defeating purpose several times & gradually
comes to a stop. One guy starts walking fast for the stairs.
|
|
140 INT. NORTH TOWER - FORTIETH FLOOR - GROUND ZERO |
|
Alarmed Yinaka looks @ things falling past the window.
Feeling something wicked this way comes he drops everything &
makes a beeline for the stairs. |
|
Everyone is expected to leave the building. |
|
What's going on? What happened? |
|
141 EXT. STREET - CADILLAC CAB - BIRD'S EYE VIEW - DAY
|
|
142 INT. CADILLAC CAB - CLOSE UP - DAY |
|
In the Cab she hears the report over the Driver's radio, it
pulls over. She hastily pays the Meter w/ a Telus/Dexit
TM tag. |
|
& steps out in the crowd. |
|
143 EXT. SIDEWALK - MANHATTAN - DAY |
|
A crowd gathers standing @ a distance, sizing up the situation,
gawking @ ground zero. |
|
As it dawns on her she realizes & large crocodile tears
stream down her face, streaking her mascara. |
|
144 INT. SOUTH TOWER - 84TH FLOOR - DAY |
|
Standing @ the north wall windows is a girl watching Tower One in
flames & smoke. A jumper leaps through a window from the
fire to certain death. |
|
She spins away from the window & runs to Mr Jones standing
far off. |
|
C'mon let's get you to the Ladies room. |
|
They leave the offices, enter hallway, criss-cross the center
core to the Ladies Room. She enters, he walks to his office.
|
| 145 INT. |
|
Add scene here w/ Yinaka doing something. |
|
146 INT. FLORIDA PUBLIC SCHOOL - CLASSROOM - LENGTHENING SHADOWS
|
|
Mr President the big apple is under attack sure 'nuff wasn't
pesky Russian fellers who done it we're fucked, they might
call for an election. |
|
I'm the son of the President who done it, where is Jesus when
you need him where's my wife Jill? |
|
Oh no George, no no, we've been told off. |
|
Oh my God I didn't know they didn't get back to me, I want
to see the Supervisor. |
END ACT 2 |
|
In the Film/Video/DVD 'IN A RAMPAGE' add here a
commercial message brought to you in association w/ the
licensed brand products. |
|
147 EXT. MANHATTAN - EMPLOYMENT INSURANCE BUILDING - DAY
|
|
148 INT. MANAGER'S OFFICE - DESK - LENGTHENING SHADOWS |
|
That's terrible what happened you lost your Job Barbie, you
were lucky that day, what is the World coming too? |
|
Without warning He comes w/ Four Planes to seize the kingdom
by intrigue, who done it. He will give great honor to
those who acknowledge him & he will cause them to rule
over the many. |
|
A despicable person 'n wise to do Evil 'n he will prosper.
Tell us more about you. Now what happens?
|
|
And she looks up @ her expectantly. |
|
I was standing around staring 'n crying for a quarter hour -
Jesus I escaped w/ the skin of my teeth - & wham bam the
South Tower gets it like a cat set in a microwave. |
DISSOLVE TO: |
|
149 EXT. TAXIING AIRPLANE - RUNWAY - AM |
|
@ 8:14am doomed Intercontinental Airlines flight 219 running late
departs down the runway & lifts off never to return, much like
Jesus nailed on a cross. |
|
'Run to the Hills' by Iron Maiden plays until. |
|
150 INT. BOEING 767 AIRCRAFT - AISLE - LENGTHENING SHADOWS
|
|
The hijackers using knives smuggled aboard & mace w/ the
threat of a bomb slice a stewardess kill the pilots &
COMMANDEER the pirated aircraft. |
|
Intercontinental flight 219 is commandeered by hijackers, slicing
the stewardess wrist, cutting the pilots necks. |
|
151 |
|
One of the six hijackers Saleh has slipped by security w/ a very
sharp box cutter & w/ it slices the stewardess, they smuggled
mace aboard & w/ the threat of a bomb, cuts the pilots &
COMMANDEER the pirated aircraft. |
| 152 |
|
Write another scene here of? |
|
153 <8:47> INT. 767 AIRCRAFT - COCKPIT - LENGTHENING SHADOWS
|
|
The hijackers on top of things sitting in the seat of authority
& responsible for the lives of all on board unsuccessfully
try twice to turn off the transponder, it still blinks on a radar
screen. |
| 154 |
|
Add here Air Traffic controller scene? |
|
155 <8:51>INT. 767 AIRCRAFT - INTERCONTINENTAL FLIGHT 219 COCKPIT
- AM |
|
The Taliban hijacker Khalid @ the stick compromises the
scheduled flight plan & steers it willfully southward into
a windy deviate direction. |
|
The Hijackers turn the aircraft into a southwest direction
compromising the scheduled flight path. |
|
156 |
|
Add scene(s) here of? |
|
157 <8:58>INT. 767 AIRCRAFT - INTERCONTINENTAL FLIGHT 219 COCKPIT - AM
|
|
The hijacker aims the plane on a heading for New York City.
|
|
The pilot plots a course as the crow flies for the New York
City skyline. |
|
158 INT. |
|
Write scene here what Stanley is doing, & maybe Abdi
janitor. |
|
159 INT. INTERCONTINENTAL FLIGHT 219 - COCKPIT WINDSHIELD - DAY
|
|
The plane pilot Khalid sees the smoke of the towering inferno
like a beacon & lines it up coming in faster than Superman @
470 mph. |
|
160 INT. INTERCONTINENTAL FLIGHT 219 - COCKPIT - AM |
|
Watching through the aircraft windshield flying way too low
flight #219 crosses the point of no return, flying way too
low. |
|
161 INT. |
|
An alarmed passenger leans over & looks through the window
a hundred yards from impact. |
|
Bend down put your head between your legs & wave your white
ass goodbye. |
|
162 INT. COCKPIT - CLOSEUP - LENGTHENING SHADOWS
|
|
Cook the damn shit windows on the ground, spread it on dog food.
|
|
Whats wrong w/ me what'ya waitin' for, Allah is great.
|
|
163 INT. INTERCONTINENTAL FLIGHT 219 - COCKPIT - AM |
|
The nosecone of the pirated Boeing 767 AIRCRAFT hits the mark
plunging into the eastern side of World Trade Center tower two.
|
|
164 <9:03> EXT. NEW YORK CITY SKYLINE - GROUND ZERO - AM
|
|
Hijacked Intercontinental Flight #219 crashes the south side
of tower two between the seventy six & eightieth floors w/
live footage, instantly killing everyone on the 767 aircraft
& many inside the office tower. |
|
165 EXT. TWO WORLD TRADE CENTER - GROUND ZERO - MORNING
|
|
The building shaking like a tree in a hurricane, is inflamed w/
smoke pouring out the top in billowing clouds. |
| ... |
|
166 INT. SOUTH TOWER - 80/81 FLOOR - DARK |
|
Add in here a shot of the janitor, mopping the floors emptying
the trash. The floor shakes like an 'eight' on the Richter scale,
the walls crumble, ceiling material, dry wall panels pop out from
the frames. He lays trapped beneath fallen debris. It was a cheap
shot. |
|
167 INT. SOUTH TOWER - 84TH FLOOR STAIRWAY - DAY |
|
Watching seven guys approaching they make their way down three
flights of stairs, one of them w/ a flashlight shining like the
light of heaven in the eyes of Jesus. |
|
168 EXT. |
|
Add scene of burning stuff from impact, ground zero @ 76-80th
floors. |
|
169 INT. 80.5 LANDING - FAT LADY SINGS - AM |
|
Two people are coming up from the immediate floors below them.
|
|
The seven continue down a few more stairs to the landing.
|
|
170 INT. DARK STAIRWELL - 81ST LANDING - LENGTHENING SHADOWS
|
|
You've got to go up you can't go down, there is too much
smoke & flames below. |
|
171 INT. STAIRWELL - 81ST FLOOR - DARK |
|
A discussion develops w/ everyone speaking in turn, he shines
the flashlight in the faces as to whether they are in favour of
heading up or down. |
|
They hear these sounds bang bang bang, thump thump thump
coming from a place on this floor behind the wall.
|
|
Help help I'm the janitor buried I can't breathe, is anybody
there can you help me? |
|
Mr Jones counts the cost & turns to Tony puts his arm across
his shoulder. |
|
In every crises a window of opportunity opens, C'mon.
|
|
Together they pull away the drywall leaning against the frame.
They squeeze through from the stairway onto this floor In the dark
room filled w/ white chalky dust. Mr Jones shines the flashlight
as dark as fog on a driving night. |
|
I can hear you, can you see the beam, where are you?
|
|
Abdi was recently dusting the windows & is now laying trapped
beneath fallen debris down on his ass he waves his hand.
|
|
I can see the light I'm here, more to your right oh thank
you Jesus. |
|
Mr Stanley Jones turns the flashlight to his right peering around.
The piercing light falls on a waving arm, tossing about
in desperation. |
|
OK I see you/or whatever he said, @? |
| ... |
|
When Mr Yinaka sees daylight escaping from death. |
|
'I Think I'm Turning Japanese' by The Vapors. |
| ... |
|
172 INT. 81ST FLOOR - ROOM - DARK |
|
TONY w/ his hand on the plow looks back not remembering Lots wife
& starts choking. He backs out of the dust filled room from
the collapsing drywall & follows after the fat lady walking
back up the stairs. |
|
173 INT. |
|
He walks back up the stairs to the ninety first floor &
lays down. After ten minutes Tony wanting to live & be w/ his
family starts down the stairs again & walks down ninety one
flights of stairs. |
|
174 INT/EXT. DOORWAY - PLAZA LEVEL - LENGTHENING SHADOWS
|
|
At the door a hugh fireball as he EXITS the building comes looking
for oxygen picks him up & blows him across the plaza across
liberty street into a brick wall, where he collapses in a heap.
Lying on the road w/ his head on the sidewalk he is drained
of all color. His clothes smolder w/ brief licks of fire @
the pant leg, Tony succumbs to his injuries, he was terminated in
a rampage. |
| ... |
|
In the Film/Video/DVD 'IN A RAMPAGE' add here a commercial message
brought to you in partnership w/ licensed brand products.
|
|
175 EXT. MANHATTAN - ACME EMPLOYMENT ASSURANCE CO - DAY
|
|
176 INT. DISTRICT MANAGER'S OFFICE - DESK - LENGTHENING SHADOWS
|
|
Mrs Carter spreads on the desk her average size file including the
policy file number 25666, picks up a picture of the first plane
impact & stares @ it for awhile. |
| Your office had a northern view who done it a cheap shot, this calls for a reboot. You are entitled to compensation in the sum of fifteen thousand nine hundred & eighty six dollars based on your paid policy premiums. Do Jews control America? We have to set up your e signature Ms Barbie S Browne policy file number 25666 if you will? |
|
A copy of your electronic signature can be pressed using this PIN
PAD as your e-signature to cash the check. Please press the digits
now as (of) your own signature on the pin pad. |
|
She does, using ? as her electronic signature, writes it on a
piece of paper, folds it down & slides it into a purse pocket.
|
|
The District Manager reaches out her only red painted right
index finger & pushes the RED Send button on the
keyboard as pretty as you please releasing the electronic
money. |
|
I'm releasing it in a Western Union "Internet Ecash"TM to you in
a Email Money Transfer into your EMT address we have on file.
Click on Internet EcashTM From Western
Union Subject Line, sign for it w/ your e signature.
Releasing it into your PACE savings account @ the bank, behind
their insured Integrity Firewall, its so big. |
| Its sent, you now have access to & control of it. |
| 'Go on Take the Money & Run' by Steve Miller Band. |
| The one year policy expiration/renewal date for a loss of income due to fire, flood natural disasters Policy is in three months, what would Ms Browne like to do? Would She like to renew the policy? |
| Linda, find out if Julie is available to see a client in thirty minutes. |
| This time sensitive EMT will be available in your inbox for 24-48 hours, if its not opened (in that time) it will be returned to us as unopened, taxable revenue understand Ms, Any questions? |
| Jonesing for a cigarette, Puff Jeffy? |
| 'Soak Up the Sun' by Sheryl Crow plays throughout this LBP spot. |
| Are you feeling short changed? W/ Telus monkey business circulate ecash, don't give it away. |
| Here is your fine, you have yourself a nice day. |
| That so big I should have stayed in bed, it was a rush. |
| Why its Barbie Browne the one hit wonder. |
| What are you doing w/ the rest of your life Honey. |
| Three choruses of 'London Bridges Falling Down' by the Children's Choir of ? backed by the orchestra of ? version. |